Richard III was a horrible man, but he does have a thing or two to teach us about our struggles with body image.
They called Richard III “crookback.” But if I were an evil, Shakespearean villain, I think they’d call me “pointy nipples.” Case in, er, point:
The other day, I greeted my wife when she got home from work. She took one quick look at me and laughed.
“What?” I asked.
“Your shirt! Just – take a look in the mirror.”
I presented my plain, purple T-shirt to the bathroom mirror. It presented back three white spots about the size of silver dollars: one over each of my nipples, the third over my belly button.
“It’s the shirt!” I defended from the bathroom with all the whininess of a post-pool George Costanza. “The color’s fading!”
“No, I can actually see your right nipple. It’s sticking out through the shirt,” my wife fact-checked. “It’s so not the shirt. It’s this.” She imitated this, well, behavior of mine. One hand rubbed the ball of her thumb over her chest, the other a few her fingers over her stomach. ““Oh my God, I hope you’re not wearing it in public.”
“It’s one of those cheap Mossimo shirts I got from Target,” I insisted as I ran up the stairs to the bedroom. I closed the door, took off the shirt, and confronted it. Face-to-face. The three, white, threadbare circles stared back at me like some cruel, mocking emoji. Is this why the barista was giving me a funny look at the café the other day?
I had never ruined a shirt before with this nervous, self-conscious touching of my chest and stomach, but I can’t say I’m all that surprised. I’ve been waging war against my torso – my nipples being key targets – since I was a chubby preteen. See, I’ve always felt that – God, I can’t believe I’m sharing this – that I looked thinner when my nipples were hard. In my twisted thinking, harder means smaller, smaller means skinnier, and skinnier means better.
But I think we all have these tics in one shape or another. Hell, even old crookback Richard III – Shakespeare’s most villainous of villains – could relate to these neuroses of body image.
So, I quit my job and decided to read the complete works of William Shakespeare this year.
Alright, it’s more complicated than that. My wife and I are hoping to move to Europe sometime in the spring. We’ve been in Orange County for a few years now and itching to go. We want rain, we want clouds.
We want change. And her work – consumer insights, I think I can sum it up – may well afford us this incredible opportunity. It’s been a dream of ours to live abroad. (A dream of hers, originally, but she’s given me the bug.)
I had been overseeing the academics for a company that helps adults with autism. Kind of like a college counselor meets intervention specialist. And managing our tutors. (My background’s in education.) It was meaningful work. According to a recent CDC survey, one in 45 persons is considered to be on the spectrum. Important work – especially in light of this selfish project, if I’m looking in the mirror.
I am a 31-year-old, unemployed, angsty, indecisive, aspiring writer who wants to make sense of his – of this – mortal coil. So why not read all of Shakespeare’s works in one year?
But I was also getting burnt out, to be honest. I may not think of myself as a millennial when it comes to things like technology or dating, but, when you get hungry for a new challenge after 2-3 years on a job (you can disregard that, future employers)…
Meanwhile, I’ve been blogging about word origins. You should follow my weekly work at the Mashed Radish. It’s etymology meets current events. For instance, we had that big Powerball jackpot. On the Mashed Radish, I look into why we call it a jackpot. Over time, my following grew, my writing outlets expanded. Now I also write for Oxford Dictionaries’ blog every now and again, which is a great honor. Because Oxford Dictionaries. I also contribute to Strong Language, it’s a sweary blog about swearing, alongside some people I really admire. Idols really. I’ve even been picked up in Slate’s language blog, Lexicon Valley.
Now I want to be a writer. (“A writer.” Gosh, that sounds so pretentious, so privileged. More on privilege, soon.) God bless her, my wife is supporting me in doing it. Crazy.
But I needed a bigger goal (read also: my wife works in corporate sales) than just my regular blogging, which is bringing home no bacon, even if it is about why we say bringing home the bacon.
Shakespeare died 400 years ago this year. April 23, 1616, to be precise. He still looms so large over our linguistic and dramatic – our cultural – consciousness. If the world’s a stage, he has a hell of a lot of plays on it. And it has to signify something, in spite of whatever you say, Macbeth. Shakespeare is, like, The Canon.
Meanwhile, I am a 31-year-old, unemployed, angsty, indecisive, aspiring writer who wants to make sense of his – of this – mortal coil. So why not read all of Shakespeare’s works in one year and see what I can learn from it? And why not write about it along the way?
I want to be honest about not understanding passages. I want to laugh at penis jokes. I want to marvel at language that can sound out deeper meanings. I want to connect the goings-on of my life, of 2016, of this millennium with this enduring work. Not in an academic “This is what Shakespeare means” kind of way.
But in a human way, reading-wise and writing-wise. I want it to be personal, relevant, real. Perhaps you could say I’m looking for small-s shakespeare in big-s Shakespeare. Or taking a selfie with Shakespeare, so to speak.
Now, I did major in English for my undergrad, I should confess. I took a pretty hard Shakespeare course for that degree and even presented at an academic conference on Shakespeare as a result of it. And I research and write about historical English and language on the regular. So, I’m not coming from nowhere on this. But I’m not an authority. I’m not an expert. Nor will I claim to be at the end of it.
But I do think there is something to be learned in the process and I’m sure I’ll be changed at the end of it. I’m not sure what it is yet or how I’ll change, but with, depending on who you talk to, 38 plays plus other poems (e.g., theSonnets), I’ll be figuring something out.
I settled on the goal as of January 10 (I told you I was indecisive), so, based on the math, I’ll be reading a play every 8 days to pace myself. That’s my main guideline for now. That and to enjoy the texts and try to write well. I’d like to see plays and watch film versions where I can, too.
I’m going to keep two journals. In one, I am tracking interesting words for the Mashed Radish and swearing/oaths, possibly for Strong Language. In the other, I am keeping general notes.
I don’t have a preordained reading list for the plays. I’m not proceeding chronologically, nor as their listed in the First Folio. I mean, the First Folio lists The Tempest first, which was Shakespeare’s last play written alone, if I’m not mistaken. And not all editions even classify plays the same way (romance vs. comedy, and whose to say how the bard himself would have done so.) So, at least to start, I’m tackling them as fancied, as inspired.
As for the texts, I’m working out of The Norton Shakespeare: Based on the Oxford Edition(1997; ed. Stephen Greenblatt). I kept them from college. If they were good enough for my Shakespeare professor (she was excellent), they’re good enough for me. (And yeah, I couldn’t part with a lot of my college lit anthologies. It’s an identity-insecurity thing, I’m certain). The texts are heavy and take up a lot of space, a great thing to lug around when you are aiming to downsize to move abroad. But they’re thorough, comprehensive, with lots of additional background that surely will help me along the way.
Speaking of “along the way,” join me. I think it’ll be fun. I hope that, as Shakespeare, er, might say, my cake won’t be dough. Follow along on Twitter @bardconfidensh and get posts by email using the buttons on the sidebar.